Doug Aitken, Mirage, coachella valley, 2016
(Source: contemporary-art-blog.com)
![hrvst:
“ zenigata:
“ 2chan.net [ExRare]
”
butagorilla confirmed furry, which is a wonder that i took so long to figure it out given his nickname
”](http://img.2chan.net/b/src/1406298372954.jpg)
![urakazelp:
“ 「ニンフィア」/「パプリカ色素」のイラスト [pixiv]
”](https://66.media.tumblr.com/434f681c73da97fff35274bff22956ce/tumblr_n9bsr8IMDQ1qzel3mo1_500.jpg)
Doug Aitken, Mirage, coachella valley, 2016
(Source: contemporary-art-blog.com)
(Source: ilililililililililililili)
(Source: ilililililililililililili)
寝取られプレイの性癖を暴露されたNHKのお天気お姉さんが、ニュース7の公式サイトからプロフを消される前と消された後の比較画像、スターリンに粛清されたソ連の幹部みたいでメチャクチャ怖い。
(via akururuka-blog)
JJBA FASHION ARE YOU FUCKING KIDDING ME.
oh my gods yes.
never forget
(Source: bigfishpyanya1973, via demolitioncomet)
KRYSTIAN: Critical Space magazine, which you founded together with the literary critic Karatani Kojim in 19??, includes a wide range of international scholars on its advisory board — people like Masao Miyoshi, E.W. Said, and Frederick Jameson.
AKIRA: We feature both Western and Asian writers. We try to establish a place for dialogue with the past. Postmodern theory became so trendy during the ‘80s that we forgot its starting point. Since the ‘20s, Japan has had a fairly strong Marxist tradition. It is against that background that a critic like Kobayashi Hideo, who is somewhat comparable to Walter Benjamin, emerged. There was also Maruyama Masao, who was like a Japanese counterpart to Max Weber. In the ‘60s, every cultural theory student read Kobayashi and Maruyama. But now the younger generation seems to have forgotten the starting point. I feel that we have to continue the tradition of modernist critique. That’s why we founded Critical Space.
AKIRA: We feature both Western and Asian writers. We try to establish a place for dialogue with the past. Postmodern theory became so trendy during the ‘80s that we forgot its starting point. Since the ‘20s, Japan has had a fairly strong Marxist tradition. It is against that background that a critic like Kobayashi Hideo, who is somewhat comparable to Walter Benjamin, emerged. There was also Maruyama Masao, who was like a Japanese counterpart to Max Weber. In the ‘60s, every cultural theory student read Kobayashi and Maruyama. But now the younger generation seems to have forgotten the starting point. I feel that we have to continue the tradition of modernist critique. That’s why we founded Critical Space.
–
2001年に行われた浅田彰へのインタビュー。『批評空間』の創刊の意図は、過去と対話するための場所の立ち上げ、忘れられた開始点の見直しであった。
Tree Drawings, Tim Knowles
“A series of drawings produced using drawing implements attached to the tips of tree branches, the wind’s effects on the tree recorded on paper. Like signatures each drawing reveals the different qualities and characteristics of each tree.”
This is art ok
wow
Love
(Source: apracticalintroduction, via replek)
